Boxing’s coverage has dropped from the glory days when every
newspaper had a boxing writer. Online focus offers an outlet for writers like
Patrick Connor, a staff contributor for boxing site Queensberryrules.com who
got his position through determination and networking.
Connor was
simply a fight fan moderating online message boards when at a fight viewing he
stumbled across Douglass Fischer, the editor of boxing’s most venerated
publication, “The Ring.” In 2004, Fischer told Connor to pursue writing.
“For
whatever reason, that kind of stuck with me that he was so encouraging,” Connor
said over the phone.
Over the
years, Connor’s writing moved closer to influential eyes.
“I remember
I Tweeted [sportscaster] Al Bernstein,” Connor said. “He got back to me later
that day and said, ‘That was really good.’”
Still,
Connor knows his work is heavily scrutinized. Much of the sport’s audience has
moved to the more modern mixed martial arts scene. The boxing literature world
has gotten smaller but more demanding for a niche audience. ESPN's head fight analysts Dan Rafael and Nigel Collins are tough names to compete with.
“I think there’s, in many ways, a higher standard now,” Connor said. “It’s tough to make a direct comparison from the days when boxing was the sport to now when boxing is just a sport.”
“I think there’s, in many ways, a higher standard now,” Connor said. “It’s tough to make a direct comparison from the days when boxing was the sport to now when boxing is just a sport.”
DJ: I’m interested in how, how’d you get your start writing
about boxing?
PC: Well, it’s funny that you ask that today, because it’s
the day before I’m going to have Doug Fischer on our show. Basically what
happened was, I was just a fan of boxing. I was just a fan and I started out
hosting on the MaxBoxing message board among a couple others and I started
moderating. And then that turned into,
y’know, do you want to be an admin? Yeah, sure.
And that actually kinda got me into contact with a lot of other boxing people because I used to do interviews in the chatroom of the MaxBoxing message board. I got my name out a little bit but then I kinda just dropped off the map as far as boxing is concerned. But the reason, one of the reasons I started writing was because years back I was at somebody’s house watching a fight and Steve Kim and Doug Fischer were there. I was talking to both of them and I expressed interest in writing about the sport and becoming a writer. And Steve was a little more hesitant to be, I don’t want to say supportive, but he was kinda like, “I’m not so sure you want to do that,” but Doug was like, “Yeah, you should do that, if that’s really what you want to pursue.” He knew me, he knew some of the work that I did because I used to do interviews and cover a couple of fights.
For whatever reason that kind of stuck with me that he was so encouraging and also at the same time, at that time, Steve Kim Doug Fischer were a couple of the only, I don’t want to say they were famous, of the highly read, well read, well respected boxing writers at that time. It’s really blown up in the last five years, but before that it was fairly limited. So it was really cool to hear encouragement from someone like that who said, “Yes, get into it.” And that’s just kind of how it started. I want to say I wrote my first article in 2004 or something like that, I probably must’ve been 21 or 22.
When I did that it wasn’t very good. I’d never really done it before. I didn’t really know what I was doing. I’ve never taken a journalism class, I didn’t major in journalism or anything like that. It wasn’t good. The information was good but the writing wasn’t good. I just kept doing it more and more and when I kind of dropped off the map I stopped completely. Then once I started getting back into it again I was given the opportunity to write for a site called Boxing Bulletin. It was around for a couple years and run by a couple guys who actually run The Cruelest Sport. They kind of gave me an opportunity to write something when I wanted to. And I wanted to and I did and thought, “Oh, well, maybe I’m not so bad.”
And kept writing and just got more practice. I just think that at the Queensberry Rules and under Tim Starks in particular I’ve probably grown more than any other time just because I’ve written more and read more and done more research and Tim offers a lot of encouragement and taught me a lot about writing.
And that actually kinda got me into contact with a lot of other boxing people because I used to do interviews in the chatroom of the MaxBoxing message board. I got my name out a little bit but then I kinda just dropped off the map as far as boxing is concerned. But the reason, one of the reasons I started writing was because years back I was at somebody’s house watching a fight and Steve Kim and Doug Fischer were there. I was talking to both of them and I expressed interest in writing about the sport and becoming a writer. And Steve was a little more hesitant to be, I don’t want to say supportive, but he was kinda like, “I’m not so sure you want to do that,” but Doug was like, “Yeah, you should do that, if that’s really what you want to pursue.” He knew me, he knew some of the work that I did because I used to do interviews and cover a couple of fights.
For whatever reason that kind of stuck with me that he was so encouraging and also at the same time, at that time, Steve Kim Doug Fischer were a couple of the only, I don’t want to say they were famous, of the highly read, well read, well respected boxing writers at that time. It’s really blown up in the last five years, but before that it was fairly limited. So it was really cool to hear encouragement from someone like that who said, “Yes, get into it.” And that’s just kind of how it started. I want to say I wrote my first article in 2004 or something like that, I probably must’ve been 21 or 22.
When I did that it wasn’t very good. I’d never really done it before. I didn’t really know what I was doing. I’ve never taken a journalism class, I didn’t major in journalism or anything like that. It wasn’t good. The information was good but the writing wasn’t good. I just kept doing it more and more and when I kind of dropped off the map I stopped completely. Then once I started getting back into it again I was given the opportunity to write for a site called Boxing Bulletin. It was around for a couple years and run by a couple guys who actually run The Cruelest Sport. They kind of gave me an opportunity to write something when I wanted to. And I wanted to and I did and thought, “Oh, well, maybe I’m not so bad.”
And kept writing and just got more practice. I just think that at the Queensberry Rules and under Tim Starks in particular I’ve probably grown more than any other time just because I’ve written more and read more and done more research and Tim offers a lot of encouragement and taught me a lot about writing.
DJ: What kind of encouragement to you get from other people
in the boxing writing scene as far as Doug Fischer, any of those other
old-school ring aficionados?
PC: Well, I remember maybe about a year and a half, maybe
two years ago I wrote a piece on the Daniel de la Groza-Paul Banky trilogy. It
was just kind of a chronicling about how I felt it was an underrated trilogy. I
remember I Tweeted Al Bernstein and I said, “Hey, I remember you called two of
the three fights. I figured you’d want to read this because I wrote it. Here it
is.” And he got back to me later that day and said, “That was really good.” And
for me, it was like “Hey, Al Bernstein said something I wrote was pretty good!”
So it was one of those situation where you try not to act star struck or walk
with your held too high. But at the same time, to hear encouragement from
someone who’s been around the block is nice.
DJ: How has the literary landscape of boxing writing changed
in the face of a more narrowly defined viewership, a smaller viewership?
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