Story and Video by Kristin O’Grady.
SYRACUSE, N.Y. – Video continues to
prove itself as the most popular digital medium for transmitting journalistic content,
and this is due, in part, to the ease with which videos are made. Everyone has
a smart phone, so anyone can shoot a video. It is easy to take for granted what
the era of technology has allowed people to accomplish, and it is even easier
to forget how technology advanced toward its current state. Video production
would not exist without the art of photography. Photography increases the value
of a journalistic piece in ways that videos cannot. Capturing a moment at the
very instance it occurs is extremely difficult. Photography is a risk, but
therein lie the thrill and the true value of photo-journalism.
Young Walter Iooss hard at work. Photo Credit. |
Below is the transcript of the video commentary.
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Kristin O'Grady: Photo-journalism
is very important, especially in the sports world, and here’s why:
Despite
its seeming lack of emphasis in an increasingly cinematographic age, sports
photo-journalism is not dead. Sure, you can take a screen-grab of already-shot
video footage, but there’s something about taking a photo in the moment and
capturing that moment with the sustained risk that you might actually miss the
moment. Award winning photographer Walter Iooss talks about taking that risk,
when he says that some people call him lucky—but “lucky” is just an attribute. “Lucky”
comes second. There’s something about having the sense. There’s something about
having the feeling—feeling that moment, and taking that risk—and that’s what
makes photo-journalism so special. People say that “a photo is worth a thousand
words,” but photo-journalism is so much more than that. A really great photo is
juxtaposed with an already written piece and it enhances and emphasizes those
words. Photo-journalism will continue to enhance journalism for a very long
time.
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